Elegant restaurant room with set tables, red and green chairs, black columns, and walls decorated with red and black curtains.

The Grand Hall and stage at ALCAZAR Paris

the beating heart of the ALCAZAR.

Here, the whole house takes the stage.

On the ground floor, the Grand Hall is the vibrant heart of ALCAZAR.

Beneath the glass roof, the tables unfold around the stage, forestage and monumental staircase. Perspectives intersect, the lighting evolves and the eye never remains fixed on a single point.

Deep red, gold, marble and mosaics create a theatrical setting. And yet, the room feels nothing like a traditional theatre.

You are not seated at a distance, facing a remote stage. You dine, talk and experience the performance up close.

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A group of dancers on stage in front of an audience in a concert hall.

The stage as a starting point

The stage naturally draws the eye, but it is only the first territory of the show.

Its forestage extends the performance towards the tables, reducing the distance between artists and audience. Singers, dancers and visual performers are not performing in front of a static room: they become part of its movement.

The staircase, circulation areas and heights beneath the glass roof can also host a tableau or suddenly draw attention elsewhere.

Depending on your table, every guest discovers a different perspective. You follow an artist on stage, catch a movement on the staircase, then watch the lighting transform the entire room.

The show has a centre. But it refuses to stay in one place.

Discover Paris s'éveille

Two people pose smiling on a red staircase with a black pattern, in an elegant interior with metallic walls and wall lamps.

A performer in a sparkling outfit performs a pole dance routine in a packed club, under a disco ball and colorful lights.

A person walks on a stage lit in red in front of an audience watching them.

A woman sings into a microphone in a room with red walls dotted with bright spots.

The glass roof gives the Grand Hall its full sense of scale.

Beneath the glass roof, a setting that changes with the hours

It accompanies the light at the end of the day before gradually fading behind the evening lighting. The room takes on new depths, materials gain intensity and the entire space seems to transform as the hours pass.

Around it, deep reds, gold accents, marble and mosaics assert the personality of ALCAZAR without trapping the venue in memories of its past.

The monumental staircase connects the different levels of the house. It shapes the perspectives, accompanies arrivals and can itself become a performance space for the artists.

The room is not simply a backdrop. It plays a part in every change of rhythm.

A man in a suit and hat sings into a microphone in a dimly lit room.

Piano & vocals or a live band

From Monday to Wednesday, the room changes score

At the beginning of the week, the Grand Hall reveals another side of itself.

Dinner is composed freely from the à la carte menu, while piano & vocals or a live band, depending on the programme, accompanies the evening. The stage remains present, but it does not dictate the rhythm of the meal.

Start with a drink at the Grand Bar, move on to your table and let the evening unfold to the rhythm of the dishes, conversations and music.

The live performance punctuates the atmosphere without imposing a continuous show. The setting retains all its impact, but the relationship with the venue becomes more spontaneous, more familiar.

The Grand Hall is no longer reserved for big nights out. It becomes somewhere you can make a habit of returning to.

Piano & vocals or live band evenings The Table

"Paris s’éveille"

From Thursday to Sunday, Paris s’éveille

From Thursday to Sunday, the Grand Hall gradually builds in intensity. The first guests are welcomed between 6pm and 7pm, for Paris s’éveille beginning at 6.30pm.

From 8pm, a second evening takes shape. The show begins at around 9.15pm, before the DJ takes over until 2am.

Six sets lasting ten to twelve minutes unfold throughout dinner. Between them, music, service and conversations continue to flow.

The stage, forestage, staircase and heights of the room provide constantly changing perspectives. The proximity of the artists transforms the relationship with the show: guests do not simply watch the performance — they feel its movement, light and energy.

The cuisine moves in step with the artistic programme. Dishes find their place between the sets without breaking the rhythm of the evening.

Discover Paris s'éveille

A woman sings into a microphone in front of an audience in a room with colorful lights.

Up to 180 guests on the ground floor

The Grand Hall can accommodate up to 180 seated guests on the ground floor.

This capacity makes it possible to imagine a private dinner show, reception, client event, launch or gathering combining dining and artistic performances.

The stage, forestage, staircase, glass roof and scale of the room offer a variety of staging possibilities. A speech can precede dinner, an artist can perform during the evening, and music can then extend the event.

The configuration is designed according to the number of guests, the desired format and the respective place given to food, entertainment and celebration.

For larger events, the Grand Hall can be combined with the Grand Bar, Mezzanine and other first-floor spaces. The entire house can then accommodate up to 300 seated guests or 460 guests for a standing cocktail reception.

Privatize the ALCAZAR

180 seats on the ground floor
300 seats in total
460 standing-room spots in total

A man in a sequined suit and top hat sings in the middle of a crowd at a place called "El Cazo"

The heart of a house in motion

The Grand Hall brings together everything that defines ALCAZAR: the table, the architecture, the artists and the pleasure of being together.

It can host dinner for two or an evening for 180 guests. Piano & vocals or a live band can accompany conversations, or the room can become the heart of Paris s’éveille, moving between the stage, staircase and tables.

Its setting has the presence of Paris’s great rooms. The way it is used remains deliberately free.

You come in for dinner. You look up at the glass roof. The lights change. An artist appears. The room is already no longer quite the one you discovered when you arrived.

The stage draws the eye. The Grand Hall carries everything else with it.